Monthly Archives: December 2007

El Ejido, The Law of Profit
– Program Notes

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December 30  |  El Ejido  |   julie

 

el ejido, the law of profit

 

Moroccan immigrants flood Spain’s Almeira region seeking a better life; instead they find inescapable poverty, blatant racism, and back-breaking labour. The village of El Ejido exports one third of Europe’s fresh fruit, yet Europeans remain oblivious to the slave-like conditions endured by the immigrants whose labour they rely on.

 

One of the workers remarks that in his homeland he never experienced such deplorable living conditions (he and his friends are forced to construct their own ramshackle homes out of plastic and cardboard, and trek long distances for drinking water). El Ejido, The Law of Profit seeks out the roots of the injustice it depicts, showing government and industry’s role in perpetuating the problem, and the indifference of most locals to the living conditions of the workers; but ultimately it is the plight of these men, toiling in anonymity and striving for little more than a decent wage and a place to live, that rightly takes centre stage in this haunting expose.

 

Program notes by George Kaltsounakis

 

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El Ejido, The Law of Profit

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December 30  |  El Ejido  |   julie

 

el ejido, the law of profit

 

El Ejido, The Law of Profit (Belgium)
Director: Jawad Rhalib
Year: 2007
Runtime: 81 minutes
Screening Times:February 29, 2008, 7:30 PM
Screens at Jackman Hall, Art Gallery of Ontario, 317 Dundas Street West

 

Synopsis:
Where do the perfect fruits and vegetables of Europe come from? This film shows the deplorable conditions of the more than 80,000 Moroccan immigrants living and literally slaving under the plastic sheet that protect the crops, and above all, the laws of profit in southern Spain.

 

Director’s Biography (in French):
Jawad Rhalib est d’origine belgo-marocaine et diplômé en communication de l’Université catholique de Louvain-La-Neuve. Il s’est aussi formé en réalisation à la RTM (Radio télévision marocaine). Depuis 1997, Jawad Rhalib a réalisé plus d’une dizaine de films. Il a reçu des formations en réalisation en Europe, des masters classes, une formation en journalisme (il est journaliste professionnel). Son dernier film « El Ejido, la loi du profit » est sorti au cinéma en Belgique le 18 avril 2007, en France au mois de septembre 2007. Le film était en compétition au FIPA (Biarritz), au FESPACO (Prix du meilleur documentaire), à Thessaloniki, Festivals des droits de l’homme de Genève, Rencontre Doc à Tunis et sera bientôt à DokFest Munich.

 

Director’s blog (in French)

 

Article on El Ejido, The Law of Profit posted on Human Right Tribune.

 

Overview by Julie Giles

 

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Video: Buddha Collapsed Out Of Shame

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December 29  |  Buddha Collapsed Out Of Shame  |   julie

 

A conversation between Eric Cinq-Mars and Mona Tajali of Concordia University for CitizenShift. Recorded after a Montreal screening of Hana Makhmalbaf’s “Buddha Collapsed Out Of Shame.”

 

[youtube]http://www.youtube.com/watch?v=3ZwyJ2dnm6Q[/youtube]

 

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Buddha Collapsed Out of Shame

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December 29  |  Buddha Collapsed Out Of Shame  |   julie

 

Buddha Collapsed Out Of Shame

 

Buddha Collapsed Out of Shame (Iran)
Director: Hana Makhmalbaf
Year: 2007
Runtime: 81 minutes
Cast: Nikbakht Noruz, Abdolali Hoseinali
Screening Times: February 28, 2008, 8:00 PM
Screens at Isabel Bader Theatre, 93 Charles Street West

 

Synopsis:
A dramatic and horrifying illustration of the tragedy that has befallen the children of Afghanistan. Made by a young Iranian woman director (Hana of the famed Makhmalbaf family), this gritty story of a tiny girl who want to go to school is filmed against the wreckage of the bombed out Buddha on the great Silk Road. It is a tough and true depiction of the daily violence in which most Afghani’s live.

 

Read this longer synopsis by John deFore of The Hollywood Reporter.

Epoch Times review — “A colorful but devastating journey to the Middle East.”

 

Director’s Biography:
Born on September 3rd, 1988 in Tehran, Hana started Makhmalbaf Film School after she finished second grade and studied cinema for eight years. She has been the script supervisor and photographer for a few films. Her first film ‘The Day My Aunt Was Ill” received international attention at Locarno Film Festival in 1997 when she was only 9 years old. At age 14 Hana made a behind-the-scenes documentary of her sister’s film, “Stray Dogs.” She published her first book of poetry “Visa for One Moment” in 2003. “Buddha Collapsed Out of Shame” is her first feature.

 

Interview with Hana Makhmalbaf on SubalternCinema.

 

Awards:
Special Jury Prize, San Sebastian International Film Festival, Spain
TVE Award, San Sebastian International Film Festival, Spain
UNICEF “Paolo Ungari” Special Award, Rome International Film Festival
Daniel Langlois Innovation Prize, Festival du nouveau cinéma, Montreal
Woman and Equality Award, Thessaloniki Film Festival, Greece
Discovery Prize, Sarlat Film Festival, France

 

Overview by Julie Giles

 

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Buddha Collapsed Out Of Shame
– Program Notes

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December 29  |  Buddha Collapsed Out Of Shame  |   julie

 

Buddha Collapsed Out Of Shame

 

“A deceptively muted – and then climactically explosive – broadside against the Taliban set in the Afghani province of Bamian” (Andrew Nayman, Eye Weekly).

 

From the mighty Makhmalbaf filmmaking clan comes a film that further enriches the strong tradition of child protagonists in Iranian cinema. Made (amazingly) by eighteen-year-old Hana Makhmalbaf, daughter of veteran, acclaimed director Mohsen Makhmalbaf, Buddha Collapsed Out of Shame is a wonderfully sly parable that explores serious subject matter through a child’s perspective, at times entering a world of make-believe that is equally exhilarating and terrifying.

 

Young Bakhtay decides she will at all costs go to school, and sets out on an odyssey that pits the obstinate girl (barely older than a toddler) against numerous, seemingly insurmountable obstacles, including, most ominously, a band of boys pretending to be the Taliban. Buddha Collapsed Out of Shame is a superbly imagined and deeply felt political allegory of the impossible situation facing ordinary Afghani civilians.

 

Program notes by George Kaltsounakis