Monthly Archives: January 2009

It’s a Free World… – Program Notes

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January 14  |  2009 Film Festival, It's A Free World...  |   julie

It's A Free World...
 
Sharp, incisive, provocative and engaging, It’s a Free World… is a wonderfully balanced piece of filmmaking from a director who has often been accused of having a political axe to grind.
 
It’s a Free World… is based upon the plight of Eastern European migrants who provide a cheap labour pool for wealthier European Union nations. The story centres around the brash and blonde Angie (Kierston Wareing), who is laid off from a recruiting company that brings workers from Poland to the United Kingdom. Angie persuades her flat-mate and long-time friend Rose to take a huge leap into the void and start their own recruiting agency.
 
It’s a Free World… studies what happens when personal ambition rubs up against social ethics, or the lack thereof. Loach avoids all moralizing; despite the fact that Angie is such a persuasive protagonist, she is also a complex and shaded individual in his hands. She becomes one of his greatest creations, giving this film an undeniable, compelling force.
 
“As driven, energetic Angie, Wareing is dynamite in her first film role. Appearing in nearly every scene, she burns up the screen” (Alissa Simon, Variety).
 
– Piers Handling, 2007 Toronto International Film Festival Programme Book
 
Rated 14A.
 

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Remnants of a War – Program Notes

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January 13  |  2009 Film Festival, Remnants Of A War  |   julie

Remnants of a War
 
Jawad Metni’s stirring documentary brings to light a critical, yet largely unknown, human rights catastrophe.
 
In 2006, one million cluster bomb munitions were dropped by the Israeli air force across the fields, houses, and orchards of South Lebanon. According to estimates, thirty-five percent of the small, toy-like yet lethal weapons have failed to detonate, precipitating a state-of-siege mentality for the inhabitants of this territory. Breaking news of death or mutilation by cluster bomb has become a frequent, grizzly spectacle in this land.
 
A year later, locally-recruited teams daily perform the most perilous work one can imagine: clearing the land of the deadly munitions. Metni interviews several people who have undertaken this terrifying task, and offers a picture of their complex motivations (money figures prominently for some, a sense of duty for others). Metni’s approach to this subject is admirably restrained yet fraught with undercurrents of emotion.
 
He allows the participants in the film to tell their stories and speak for themselves, and captures the controlled fear of the situation with graceful camerawork and lovely shots of the Lebanese countryside that underscore the tragedy of these events.
 
– George Kaltsounakis
 

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Snow (Snijeg) – Program Notes

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January 12  |  2009 Film Festival, Snow (Snijeg)  |   julie

Snow (Snijeg)
 
“The grand prize winner of the International Critics Week at Cannes. . . . Humanely wrought and sensitively rendered by Begic and her excellent cast, Snow is a work of rare modesty and poignancy” (Jason Anderson, eye Weekly).
 
It is 1997, two short years after the end of the bitter internecine conflict that ripped apart Yugoslavia. We find ourselves in the eastern Bosnian village of Slavno, where the survivors of the conflict are struggling to reassemble their lives. The village is populated almost entirely by women and children, either orphans or fatherless. All of them struggle to get by, pushing carts up the local hills to the highway in vain attempts to sell goods and make some money. Everything changes when a couple of men, Serbs, turn up and offer to buy their various properties to develop into hotels and a resort.
 
Aida Begic’s extraordinary and penetrating study of this post-war society resonates on many levels, but above all it is a wonderful testament to the resilience of the human spirit – witnessed mostly through the eyes of three generations of women.
 
– Dimitri Eipides, 2008 Toronto International Film Festival Programme Book
 
Rated 14A.
 

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Plus tard, tu comprendras – Program Notes

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January 11  |  2009 Film Festival, HRWFF Opening Night, Plus tard, tu comprendras  |   julie

Plus tard, tu comprendras
 
“[A] subtle, contemplative exploration of memory and loss. . . [Moreau] is, of course, a goddess of French film, and here she gives a master class in how to be regal without vanity” (A.O. Scott, The New York Times).
 
Memory is a double-edged sword, and in Plus tard, tu comprendras, Amos Gitaï explores this truism in the most subtle and emotionally powerful manner. This most talented director has found a perfect subject for his increasingly spare and formal style, and the final result is masterly.
 
The film stars the venerable Jeanne Moreau in the role of Madame Gornick, an aged woman who prowls around her apartment listening to her television set. It is tuned to the Klaus Barbie trial of 1987, in which testimonies about arrests, incarcerations and deportations that took place during the Holocaust were recounted. Meanwhile, her son Victor is trying to assemble the bits and pieces of their family legacy through photographs, letters and memorabilia. The documents he discovers tell of the fate that befell his parents during the war, and he is quick to rush to judgment.
 
Plus tard, tu comprendras touches the deepest wellsprings of emotion, and by being suggestive rather than explicit, allows us all to share in its imaginative universe. This is perhaps the film Gitaï was born to make, a masterpiece of Holocaust memory that uses not one frame of footage from the disaster.
 
– Piers Handling, 2008 Toronto International Film Festival Programme Book
 
Rated 14A.
 

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Media That Matters Film Festival Deadline

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January 6  |  News  |   julie

Media That Matters Film Festival

Submit now! The call for entries for the Media That Matters Film Festival closes this Friday, January 9th.

The Media That Matters Film Festival is the premier showcase for short films on the most important topics of the day. Local and global, online and in communities around the world, Media That Matters engages diverse audiences and inspires them to take action.

From gay rights to global warming, the jury-selected collection represents the work of a diverse group of independent filmmakers, many of whom are under twenty-one. The films are equally diverse in style and content, with documentaries, music videos, animations, experimental work and everything else in between. What all the films have in common is that they spark debate and action in 12 minutes or less.

Check the festival website for submission details: http://www.mediathatmattersfest.org/submit.

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