Munyurangabo

Tuesday, March 3rd – Munyurangabo

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March 2  |  Munyurangabo  |   julie

 

 
Director Lee Isaac Chung talks about his film Munyurangabo, which screens Tuesday, March 3rd, 7 PM, at Jackman Hall, Art Gallery of Ontario, part of the 6th Annual Human Rights Watch Film Festival.
 
Munyurangabo is the story of two young men—one a Tutsi, the other a Hutu—trying to create futures by putting their pasts behind them. For Munyurangabo, this means seeking justice for his parents, who were killed during the fighting. For his friend Sangwa, resolution might come once he’s able to re-visit the lands he fled so long before.
 
Chung initially went to Rwanda with his wife, an art therapist, who works with survivors of the genocide. He became a volunteer and taught filmmaking at a Christian relief base, eventually fashioning a story out of the real life experience of Jeff Rutagengwa who plays Munyurangabo .
 

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Munyurangabo – Program Notes

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January 17  |  2009 Film Festival, Munyurangabo  |   julie

Munyurangabo
 
“Like a bolt out of the blue, Korean American filmmaker Lee Isaac Chung achieves an astonishing and thoroughly masterful debut. . . . This is, flat-out, the discovery of this year’s Un Certain Regard batch” (Robert Koehler, Variety).
 
Ngabo is a teenaged boy named after the ancient Rwandan warrior Munyurangabo. He steals a machete in Kigali and sets out for the countryside with his friend.
 
This is a closely observed drama, led by two young men – real-life market porters in Kigali – who are acting on screen for the first time with breathtaking naturalism. But a darker undercurrent simmers beneath the growing tension between Ngabo and Sangwa. There can be no innocent machete in Rwanda. Ngabo has stolen the weapon to return to his own village and take revenge on those who killed his family.
 
Crafted with dramatic precision and deep humanity, Munyurangabo rises to a stunning plea for reconciliation delivered by a poet the boys meet along the way (embodied by Rwanda’s poet laureate, Edouard B. Uwayo).
 
– Cameron Bailey, 2007 Toronto International Film Festival Programme Book
 
Rated PG.
 

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