chile

Monday, March 2nd – Battle of Chile, Parts 1 & 2

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March 1  |  The Battle of Chile, Parts 1 & 2  |   julie

 

 
Patricio Guzmán’s landmark documentary film, The Battle of Chile (1976), screens tomorrow, Monday, March 2nd, 7 PM, at Jackman Hall, Art Gallery of Ontario. Considered among the best documentaries ever made, The Battle of Chile chronicles the country’s open and peaceful socialist revolution, and of the violent counter-revolution against it.
 
The film is divided into two parts:
 
The Battle of Chile (Part 1): The Insurrection of the Bourgeoisie (96 minutes) examines the escalation of rightist opposition following the left’s unexpected victory in Congressional elections held in March, 1973.
 
The Battle of Chile (Part 2): The Coup d’Etat (88 minutes) opens with the attempted military coup of June, 1973 which is put down by troops loyal to the government. The film’s dramatic concluding sequence documents the coup d’etat, including Allende’s last radio messages to the people of Chile, footage of the military assault on the presidential palace, and that evening’s televised presentation of the new military junta.
 
Patricio Guzmán and five colleagues had been filming the political developments in Chile throughout the nine months leading up to that day. By the time of the coup, 42,000 feet of film had been shot. The raw footage had to be hidden in the Swedish Embassy; eventually, it was smuggled out of Chile as diplomatic material, and the film was finished in Cuba and France.
 
“Great films rarely arrive as unheralded as The Battle of Chile.” – Pauline Kael, The New Yorker
“The major political film of our times – a magnificent achievement.” – Tom Allen, Village Voice
“A landmark in the presentation of living history on film.” – Judy Stone, San Francisco Chronicle
 
The trailer (above) is from another Guzmán film, Chile, Obstinate Memory, which visits with Chileans who experienced the coup first-hand (some of whom are seen in The Battle of Chile).
 

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The Battle of Chile, Parts 1 & 2 – Program Notes

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January 16  |  2009 Film Festival, The Battle of Chile, Parts 1 & 2  |   julie

The Battle of Chile, Part 1
 
“The major political film of our times – a magnificent achievement” (Tom Allen, Village Voice).
 
“Not only the best film about Allende and the coup d’etat, but among the best documentary films ever made, changing our concepts of political documentary within a framework accessible to the widest audience” (Time Out Film Guide).
 
Few documentaries have received the acclaim of Guzmán’s three-hour, on-the-street-as-it-happens record of one of the twentieth century’s most significant political events, the 1973 overthrow of Salvador Allende’s democratically elected government.
 
Broken into two sections, the film begins with “The Insurrection of the Bourgeoisie,” detailing the increasingly violent response of elitist and right-wing sections of Chilean society to Allende’s surprise election victory in March 1973. The second part of the film, entitled “The Coup d’État,” shows how right-wing forces rallied to decimate a divided left, mounting a military assault that removed Allende and his supporters and ultimately resulted in his death.
 
The Battle of Chile is a raw elegy for thwarted democracy, a tumultuous and gripping account of a watershed moment in world history, and essential viewing for all.
 
“A landmark in the presentation of living history on film” (Judy Stone, San Francisco Chronicle).
 
– George Kaltsounakis
 

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New York Human Rights Watch International Film Festival

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May 5  |  News  |   julie

Peter Raymont’s “A Promise to the Dead” opens the New York Human Rights Watch International Film Festival, which runs June 12 to 26 at the Walter Read Theater at Lincoln Center. The full festival schedule is now available online from Human Rights Watch.

“A Promise to the Dead” chronicles Raymont’s travels to Chile with writer and human rights activist Ariel Dorfman, at the time when Augusto Pinochet, Allende’s overthrower and Dorfman’s long-time nemesis, is dying. Raymont follows Dorfman through emotional reunions with his friends and fellow resistors, to personal landmarks that are powerful both emotionally and historically.

As background to the film, Human Rights Watch has posted the organization’s work on the Pinochet prosecution.

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